So much fun collaborating with the Single Channel Video team during May - June for RISING - Melbourne Festival.
SKYPUNCH
SKYPUNCH is a collaboration between Tamara Searle and Shannon Quinn. We’ve launched our first zine. Four Scores For Melbourne (How to Be in a Pandemic). See some of the artwork below, and check it out here.
Assemble Yourself - McClelland at Home
Created a resource with McClelland Sculpture Park and Gallery to engage with the McClelland Sculpture Collection remotely, during Covid and beyond. Check it out here.
Burning The Bull | Performance Research 24-6
In Helsinki I stumbled on a performance ritual that seemed to have ancient agricultural antecedents and contemporary prescience. I wrote about it here in Performance Research.
Remember Us / Radial Dundee in New York
The Segal Center Film Festival on Theatre and Performance 2019 is on March 6. It is an annual event that showcases films drawn from the world of theatre and performance. The Festival presents an international array of work from experimental, emerging, and established theatre artists and filmmakers - including Radial Dundee. So happy this work is going places. If you are in NY check it out!.
London Short Film Festival features Theatre of Speed's Radial
I am back in Australia, but the work is not. London Short Film Festival have selected Theatre of Speed’s Radial to showcase. London! Watch out! Its happening on the 14th of January.
Working in Helsinki
I am resident at HIAP on Suomenlinna Island, Helsinki for 3 months. I am researching new methodologies of writing for performance, and approaches and strategies for sites for performance.
Imagined Theatres is Live
Sonia and I wrote for Imagined Theatres: Australia. This site is an extension of the book Imagined Theatres: writing for a theoretical stage, which collects hypothetical performances written by an ever-growing array of theorists and artists of the contemporary stage. These dramatic fragments, prose poems, and microfictions describe imaginary events to explore what might be possible and impossible in the theatre.
Our writing is collected alongside some provokative and contemplative writing by Alison Croggan, David Pledger, and Emma Valente.